Mohamed  Hirji

Fine Art

Atmospheric Perspective

Jun 10, 2021

Leonardo Da Vinci is generally credited with development of Aerial or Atmospheric perspective. Essentially we are all aware from our  observations that objects in the distance appear less distinct (fuzzy), there is less contrast between the darks and the lights,  and they appear blueish white, gradually losing the yellows and red hues of the inherent colour of the object.  This is the result of atmospheric perspective.


This phenomenon is based on light from the object passing through a layer of atmosphere to the eyes of the viewer. The atmosphere which apart from the atmospheric gases is composed mainly of water vapour and  dust particles acts as a filter,  filtering out longer wavelengths of light leaving the blue hues (shorter wavelengths). Not unlike viewing an object through fog or through several layers of clear glass. This principle is elegantly explained by physics of light in which certain wavelengths of light are filtered gradually as the distance from the viewer increases. (longer wavelengths are filtered first).

Let us now deal with some practical examples. In the photograph of the cloudless sky below. (please disregard the lens flare) The sky overhead appears intensely blue gradually changing to turquoise and then pale blue (whitish blue) towards the horizon.

Change in Sky Colour from Zenith to the Horizon

The reason for the change in the sky colour in the above photograph is due to the fact that at the zenith (overhead- Arrow A), the light travels through a much thinner layer of atmosphere than at viewing the sky obliquely (Arrow B) or along the horizon (Arrow C). This is graphically explained in the image below.

Viewing The Sky Through The Atmospheric Layer

The depiction of the sky in the oil painting, Along the Bow River, (image below),  illustrates this effect on the  sky above the mountain. Behind the mountain, towards the horizon, the colour of the sky would be painted even more pale bluish white.

Along The Bow River, Oil Painting

The Oil Painting, The Grand Canyon, shown below demonstrates the effect of atmosphere on a landscape. As the distance increases, the rocky outcrops of the Grand Canyon acquire a predominantly a pale and bluish tinge also the edges of the rocks appear less well defined and the contrast between the lights and the darks is reduced. providing the viewer with a sense of depth.

The Grand Canyon, Oil Painting

This same phenomenon is also exhibited on a large expanse of water like a lake or an ocean.

In summary, both geometric perspective, discussed in the last blog and the atmospheric perspective work in tandem to provide a three dimension look to a two dimensional image. Stay tuned to the next blog where I discuss a painting based on both these principles

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Mohamed Hirji