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DIPLOMA
IN AFRICAN MUSIC
| NAME |
TITLE |
YEAR |
| 1.
ADANUA, A.K. |
ADEVU:
A STUDY OF THE HUNTERS’ MUSIC |
1990 |
| 2.
ADIPA, S.S |
GOVU:
A CEREMONIAL MUSICAL TYPE OF THE ASIELUGBOHE
CLAN OF VANE-AVATIME VOLTA REGION |
1993 |
| 3.
AGUDZE, F.K. |
THE
MUSIC OF TOKPAIKOR SHRINE IN AKPAFU: A CASE
STUDY OF THE ROLE OF TOKPAIKOR MUSIC IN AKPAFU
TRADITIONAL WORSHIP |
1990 |
| 4.
AHIAHONU, J.J. |
KINKA:
THE SOUTH-EASTERN GHANA EWE MUSICAL TYPE OF
THE PEOPLE OF ANYIEME IN AKATSI |
1991 |
| 5.
AHONI J.B |
THE
MUSIC OF THE NADU CULT OF THE DANGMES |
1989 |
| 6.
AMETIER, I.T. |
KLAMA
MUSIC IN KROBO CULTURE |
1989 |
| 7.
AMLOR, M.Q. |
AN
ANALYTICAL STUDY OF ATIAZA: A TRADITIONAL MUSICAL
TYPE OF THE NORTHERN-EWES FROM ALAVANYO IN THE
VOLTA REGION. (CASE STUDY) |
1993 |
| 8.
AMOAH, M.G |
A
STUDY OF THE FESTIVAL MUSIC OF THE PEOPLE OF
LABADI:
THE KPA SONGS |
1979 |
| 9.AMOAH
M.A. |
A
STUDY OF THE MUSIC OF APAGYA, AN AKAN WARRIOR
ASSOCIATION |
1980 |
| 10.
ASAH-AWUKU, A. |
APAGYA:
A WARRIOR MUSICAL TYPE OF THE AKYEREMADE CLAN
OF MAMFE AKUAPEM |
1992 |
| 11.
ASANTE, J |
GA
FUNERAL DIRGES |
1990 |
| 12.
BAMPO, S.O |
MPINTIN
MUSIC IN AKROPONG-AKUAPEM |
1990 |
| 13.
BRESE, R.S. |
AVIHAWO:
A STUDY OF FUNERAL DIRGES OF THE TAFI PEOPLE
OF HOHOE DISTRICT. |
1991 |
| 14.
DARVORJIE, F.K. |
GAHU:
THE EWE RECEATIONAL MUSIC OF THE PEOPLE OF DZODZE-ABLORME |
1990 |
| 15.
DAMPTEY, N.B. |
POPULAR
MUSIC IN CONTEMPORARY GHANA: A CASE STUDY OF
GUITAR BAND MUSIC |
1981 |
 |
|
|
Dissertations
(continued)
DIPLOMA
IN AFRICAN MUSIC
| 16.
DZABA, P.A |
DEKOLENYANU:
A STUDY OF AN ANLO EWE MUSICAL TYPE IN ATIAVI
IN THE VOLTA REGION OF GHANA |
1990 |
| 17.
DOWOE, W.I. |
GBOLO:
A NORTHERN EWE MUSICAL TYPE |
1980 |
| 18.
FEKPE, S.P. |
THE
FUNCTIONAL ROLE OF THE ATOPANI |
1991 |
| 19.
FRANCOIS, George |
JAZZ:
ITS EVOLUTION AND AFRICAN MUSIC INFLUENCES |
1987 |
| 20.
NTIFO, D.A |
CULT
POSSESSION DANCE MUSIC OF THE SENYAANE SHRINE
OF AMANOKROM-AKUAPEM |
1991 |
| 21.
KOAMI, D.K. |
THE
MUSIC AND WORSHIP OF THE CULT OF KUNDE IN TOGO |
1980 |
| 22.
KOLAAN, B.A. |
DAGOMBA
WOMEN IN MUSIC: THEIR WORK AND PLAY SONGS IN
GULKPEGO-TAMALE |
1991 |
| 23.
KOKROKO, J.A. |
AKAN
INSTRUMENTAL SYMBOLISM |
1990 |
| 24.
KORLETEY-S, C. |
SEPREWA:
HARP LUTE OF THE AKAN PEOPLE OF GHANA |
1989 |
| 25.
KUKUBOR, .R. |
A
STUDY OF ALAFIA CULT MUSIC AMONG THE ANLO EWES
OF KISSEMAN- A VILLAGE NEAR ACHIMOTA A SUBURB
OF ACCRA: A FACTOR FOR SOCIALISATION |
1990 |
| 26.
KWARTENG, K. |
ODANSUOM:
AN AKAN (ASHANTI) FEMALE MUSICAL TYPE |
1988 |
| 27.
OFFEI, A.K. |
KPANLOGO-GOME
FUSION: A MARKETABLE POTENTIAL |
1991 |
| 28.
OFFEI, G.O. |
GA
CHILDREN’S SONGS |
1991 |
| 29.
OFORI, E. |
EGBANEGBA:
TRADITIONAL MUSCIAL TYPE OF NORTHERN EWE |
1980 |
| 30.
OSAFO, E.O. |
THE
MUSIC OF FONTOMFROM, MPINTIM AND OSOODE IN THE
OHUM FESTIVAL OF MAMPONG-AKWAPIM |
1988 |
| 31.
OWUSU-ANNOPONG, S. |
A
CASE STUDY OF ASAFO MUSIC IN WINNEBA ABOAKYER
FESTIVAL |
1990 |
| 32.
TOGBEDE, L.I |
TOTOEME:
A CASE STUDY OF A NORTHERN EWE RECREATIONAL
MUSCIAL TYPE |
1991 |
| 33.
YOUNG, P.Y. |
ATRIKPUI:
THE WAR DANCE OF THE ANLO EWES OF SOUTHERN GHANA |
1989 |
| 34.
YIRENKYI, H.A. |
A
STUDY OF OSEDE MUSIC IN APIREDE AKWAPIM |
1990 |
|
|
|
OTHER
RESEARCH WORKS
| NAME |
TITLE |
YEAR |
| 1.
ALAN P. & MERRIAM B. |
FLATHEAD
INDIAN MUSIC: REPORT ON FIELD RESEARCH |
1950 |
| 2.
AMPOM DARKWA K. |
COUNTRY
PROFILE (AFRICA IN A NUTSHELL) |
1996 |
| 3.
AMPOM DARKWA |
FESTIVAL
OF THE GODS |
1995 |
| 4. AMPOM
DARKWA &
ASANTE DARKWA |
DWABEN
NTAHERA |
1973 |
| 5.
AMPOM DARKWA K. |
DOCUMENTATION
OF DWABEN NTAHERA |
1970 |
| 6.
AMPOM DARKWA K. |
CODED
BIBLIOGRAPHY OF AFRICAN MUSIC AND MUSICIANS |
1995 |
| 7.
ARMSTRONG R.G.
(et-al) |
IYERE
IFA: THE DEEP CHANTS OF IFA |
1978 |
| 8.
BROWN B. |
KUSASI
MUSICIANS OF NORTHERN GHANA |
1974 |
| 9.
BROWN JOHN |
SANTERIA
IN NEW YORK |
|
| 10.
BOONJER, R.M. & GALES Fred |
BRASS
BANDS IN GHANA |
|
| 11.
FIAWOO D.K. (et-al) |
FUNERAL
CUSTOMS IN GHANA A PRELIMINARY STUDY |
1978 |
| 12.
ICAMD |
CONFERENCE
PAPERS |
|
| 13.
I.A.S |
CATALOGUE
OF RECORDINGS OF COMPOSITE TAPES IN THE ARCHIVE
OF THE INSTITUTE OF AFRICAN STUDIES |
|
| 14.
I.A.S |
ACCESSION
LIST OF LONG PLAYING DISCS IN THE ARCHIVE THE
INSTITUTE OF AFRICAN STUDIES |
|
| 15.
KAYE, Andrew |
THE
PROBLEM OF THE GINBRI, INTERNAL-SPIKE LUTE:
ITS ORIGINS, STRUCTURE, NOMENCLATURE AND CONTEMPORARY
USAGE |
1987 |
| 16.
MORCHESKY, S.J. |
CURRENT
TRENDS IN POPULAR MUSIC STUDY: A REVIEW OF THE
LITERATURE AND PROPOSALS FOR FUTURE STUDY |
|
| 17.
NATIEZ, Jean Jacques |
PAPERS
ON SEMIOTICS 1971-77 |
1980 |
| 18.
NKETIA J.H.K |
PERSPECTIVES
ON AFRICAN MUSICOLOGY: A REVIEW OF AFRICAN RESPONSE
TO WESTERN PRAXIS (1920-1980) |
|
| 19.
NKETIA J.H.K |
THE
AESTHETIC DIMENSIONS OF AFRICAN MUSICAL INSTRUMENTS |
|
OTHER
RESEARCH WORKS
| 20.
MINTAH, N.D. |
A
CHECKLIST OF THESES AND DISSERTATIONS DISERTATIONS
IN INSTITUTE OF AFRICAN STUDIES LIBRARY, LEGON |
1980 |
| 21.
OLABIYI BABALOLA Y. |
THOUGHTS
ON THE CULTURAL CONTRIBUTIONS OF BLACKS OF THE
DIASPORA TO CULTURE IN BENIN AND TOGO |
1983 |
| 22.
OPOKU ASARE K.
(et-al) |
MAMIWATER
VILLAGE PROJECT VOLUME I & II |
1995 |
| 23.
OPOKU ASARE K.
(et-al) |
TOGBUI
ABIDJAN MAMIWATER INTERVIEWS 1993-1996 |
1996 |
| 24.
OPOKU ASARE K.
(et-al) |
AKOM
HO NKOMMOBO (KWAKU MFRAMA) |
1969 |
| 25.
SEAVOY, Mary |
UCLA
ETHNOMUSICOLOGY ARCHIVE MARY SEAVOY COLLECTION
75.3 |
|
| 26.
SEAVOY, Mary |
MOTOR
PATTERNS AS DETERMININANTS OF MUSICAL PHENOMENA |
1969 |
| 27.
SEAVOY, Mary |
A
BIBLIOGRAPHY OF MUSIC IN EAST AFRICA AND MADASCAR
WITH SPECIAL EMPHASIS ON ARABIC AND PERSIAN
INFLUENCES |
1966 |
| 28.
TWEREFOO G.O. |
EVALUATION
AND INTERPRETATION OF MUSIC PROGRAMMES IN AFRICA |
1986 |
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